Sherlock: The Sign of Three

So, the new Sherlock TV show. Not to be confused with the new Sherlock Holmes TV show, Elementary, which actually isn’t that bad if you sit down and watch it. Its opening sequence is a dozen times better, for a start – am I really the only one who completely despises that loud, tuneless rock track that Sherlock has?

But yeah, Sherlock, the one with Martin Freeman of Hitchhiker’s Guide, and that very British, very popular, very tall institution that I’ll just call “Big Ben” from here on out. It’s hard for me to state a single opinion on Sherlock. On one hand, it has a blisteringly high entertainment value, with top-notch acting, stylish presentation, witty and clever interplay between consistent and well-developed characters, excellent adaptation of the classic stories I’ve read many times…

On the other hand, I can’t bring myself to call myself a Sherlock fan, because that invariably associates me with Big Ben’s legions of squealing ladies (and quite a few cheering men; I am nothing if not tolerant in my vaguely hypocritical condescension). The fans have been responsible for most of the worst moments in the show, most of which have been in the most recent, third season – and yet that also had most of my favorite moments in the series too, so I’m not sure what to think.

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Ender’s Game

Note: This review will contain no discussion of Ender’s Game author Orson Scott Card. I already have plenty of things to grouch about with this, adding the largely unrelated views of a one-hit-wonder author would make this way too long.

That's one big X-Wing.

That’s one big X-Wing.

Ender’s Game is – let’s be clear here – a classic of our times. Aside from being a deeply affecting and surprisingly prophetic sci-fi story, it’s the premier work of the age on the complicated mix of duty, pride, loneliness and angst felt by students and children the world over. Seriously – Adrian Mole? Tom Brown? Arthur Read? Freakin’ Harry Potter? They have nothing on Ender Wiggin.

The problem with this is that no one seems to realize it, least of all author Orson Scott Card. Speaker for the Dead and Xenocide – the sequels to the story – are much more traditional cosmic sci-fi stories, to the extent that the latter has the exact same plot as Halo 4 – and again, I’m being completely serious. All you console gamers who like Halo? Have you played the decently-received video game Halo 4, and paid attention to the story? Great, now you don’t need to read the award winning novel Xenocide.

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Doctor Who: The Snowmen

yearlatesnowmen

Things like last year’s Doctor Who Christmas special, “The Snowmen” are the reason this site exists: When I first saw it, I thought it was a decent episode – that its main flaw was that it relied too much on setting up questions to be answered in later episodes, but I was eager to see those questions resolved all the same.

Now, armed with the knowledge given to me by this past year of Doctor Who, I can make a more definite appraisal of this episode, and thus I can safely say that I really don’t like it.

In many ways, it typifies writer and showrunner Steven Moffat’s approach to the show, of late – we get armfuls of banter, grand spectacles filled with raw emotion and theatrical symbolism, goons with creepy faces, recognizable references to the classic series… but it’s all done without any sense or consistency, and so quite a lot of it just doesn’t work for me.

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