Her

It’s obvious I have a comfort zone – just look at what I do and don’t talk about. Don’t expect a review of The Wolf of Wall Street (which was great but too long), or American Hustle (a directionless romp) or Dallas Buyers Club (I’ve never liked Jared Leto) here.

But at the center of this comfort zone, probably my favorite single subgenre, is social science fiction. Started in the twenties with stuff like Metropolis and codified by only science fiction writer ever Isaac Asimov, social SF is such a rich genre because it can basically be summed up as “A more mainstream and conventional story, but with robots, or lasers, or aliens, or laser-wielding alien robots”. It makes for all sorts of good stories because it can appeal to both mainstream audiences with exaggerations of basic dramatic situations, and dorks like myself with supremely dorky analysis and extrapolation of classic SF concepts.

Whatever you think of Her, by child-at-heart and friend of the Beastie Boys Spike Jonze, it’s just about the gold standard for modern social SF – if you took out the future stuff it would be a weepy, Oscar-bait-laden romantic drama, but with it the movie becomes an Oscar winner, critically and popularly lauded, and my pick for best picture of the year for whatever it’s worth.

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Doctor Who: The Snowmen

yearlatesnowmen

Things like last year’s Doctor Who Christmas special, “The Snowmen” are the reason this site exists: When I first saw it, I thought it was a decent episode – that its main flaw was that it relied too much on setting up questions to be answered in later episodes, but I was eager to see those questions resolved all the same.

Now, armed with the knowledge given to me by this past year of Doctor Who, I can make a more definite appraisal of this episode, and thus I can safely say that I really don’t like it.

In many ways, it typifies writer and showrunner Steven Moffat’s approach to the show, of late – we get armfuls of banter, grand spectacles filled with raw emotion and theatrical symbolism, goons with creepy faces, recognizable references to the classic series… but it’s all done without any sense or consistency, and so quite a lot of it just doesn’t work for me.

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